The Tone-Gard™ is designed to isolate the back of
a mandolin (or any similar instrument) from the player's body, producing more volume and
enhancing the tone.
You can test the concept right now without a
Tone-Gard™. Play your instrument normally, while facing a wall about a foot or two away, allowing the sound to
bounce back directly so you can hear how your instrument projects. After
you are used to the sound, hold the mandolin by the neck so that the
back of the instrument is a couple of inches away from your body. Now
try playing some chop chords. Go back and forth, against and away from
your body, and you will notice a difference. You will hear a difference
just hitting one chop and letting it ring while holding against you,
then away. (If you don't hear the difference, it's time to visit an audiologist -- no kidding.)
An extra benefit is protecting the back of your instrument from wear, dings, and scratches. You can and should leave the Gard on the instrument all the time, not take it on and off. It fits in almost all
cases. See FREQUENTLY ASKED QUESTIONS
Who The Heck Needs a Tone-Gard™?
Preeminent mandolinists — such as David
Grisman, Ricky Skaggs, Chris Thile, Andy Statman, Mike Marshall, John Reischman, Chris Hillman, Roland White,
Radim Zenkl, Dana Rath, Tom Rozum, Eric
Thompson, Emory Lester, and many others — use and recommend the Tone-Gard™ to get the best possible sound. A Tone-Gard™ improves anything from starter instruments to Loars. See lots of endorsements and photos in the PHOTO GALLERY
As a mandolin
player myself, I originally designed the Tone-Gard™ specifically for the mandolin, but I custom-make Gards for guitar, banjo, ukelele, and other stringed instrument players who get a similar benefit. Read some REVIEWS AND BLURBS
What Models and Designs of the Tone-Gard™ Are These?
The Gards pictured above are the two Standard designs: the DecoGard™ (left) and original SunriseGard™ (right). Because of the spring arms at the waist and tail, they adjust to fit any Gibson™-style mandolin that fits a standard A or F-style case. The VintageGard™ fits mandolins that are slightly larger, particularly older Gibson A's. I also make a special Gard adapted for the rounded sides and particular body shape of Rigels™. The D-Gard™ is for standard-size dreadnought guitars. Custom sizes are also available for other mandolin-family instruments, guitars, banjos, ukes, dulcimers, etc. I can custom-make a Gard to incorporate special designs. Many examples are shown in the PHOTO GALLERY. For size info, see FREQUENTLY ASKED QUESTIONS
What Is a Tone-Gard™ Made Of?
Standard Tone-Gards™ are now made of laser-cut steel
with a ceramic powder-coat. They have more pads, which are directly
glued on to prevent loss. Vintage, Rigel, and custom Gards are hand-made
from mild steel, sprayed with a durable high-gloss paint, and have
older-style pads. All surfaces that come in contact with the instrument
have rubber and leather pads where needed to protect the instrument’s
finish. The only maintenance is occasionally to apply a little
instrument wax or Pledge™ or similar product on the rubber-pads to
protect from deterioration. The rubber pads can also be easily replaced if
How Much, and How Do I Order a Tone-Gard™?
ORDER Standard Gards, Custom Gards, and Special Orders directly from me.
Can I Get a Tone-Gard™ Anywhere else?
Yes, Standard Tone-Gards™ are available from select RETAILERS
More Questions About the Tone-Gard™?
Will the Tone-Gard™ help my Mandolin?
have yet to hear a mandolin that doesn’t benefit from the Gard. Plus
the added benefits of quicker “wake-up” of the instrument, and the
protection of the back from zippers, buttons, and belt buckles.
How did you come up with the Tone-Gard™?
“good” mandolin was a Japanese F-5 copy,
which I thought was OK until I played a real hand-made instrument.
Then I realized mine didn’t cut it in volume and tone. But I did notice
that when I sat down it didn’t sound so bad. With some experimentation,
I realized that, just like a fiddle, the vibration of the back of the
mandolin helps produce sound. I also noticed that in all the old
pictures of Mr. Lloyd Loar, who was a classical mandolinist, he is
sitting. I don’t think he
anticipated that people would stand and play, so he never addressed the
problem of the back being muffled against the body. The Tone-Gard is my
solution to the deadening of the sound caused by contact with the human
SunriseGards (7-ray design) and DecoGards
fit almost any mandolin based on the classic Gibson carved-back
mandolins, such as F5s and A5s, approx. 9-7/8″ across the back (+/-
1/16″). Most independent
luthiers’ designs are based upon those body dimensions, including
Gilchrist, Stiver, Givens, Summit, Lewis, Woods, and all the
Japanese and Korean mandolins.VintageGards (6-ray design) are for mandolins that
are 10-3/16″ across the back, such as old round-hole Gibsons, Weber Absarokas,
some of the other Webers (including some F models) some Hillburns,
Newsons, etc. If you have one of these instruments, please get the
Vintage, and don’t try to bend out the arms of a Sunrise or Deco to
force a fit. It won't work.I have a design that will fit the radiused Rigel.Martins, flatback mandolins like the Trinity College, and some of the new styles of Weber may require Custom Gards.Gards for instruments other than mandolins are custom-made to fit the specs of your instrument.
Will the Tone-Gard™ Fit my Instrument?
Will the Tone-Gard™ Mar the Finish?
As a mandolin player and user #1, I’ve tried to make
the Gard as mando-friendly as possible, but I’m not a millionaire or an
idiot. I don’t “guarantee” the Gard for anything except workmanship,
and that’s why it’s very affordable. It is the cheapest and quickest
way to improve the sound, as well as
protect the back. As long as the pads are maintained, you can expect
your mandolin back to look like the day you bought it, possibly with some very
minor scuffing where the upper pads are, which is easily rubbed out. I
can say this because I’ve had a Gard on my mandolin since 1987. It’s
had lots of hours, gigs, and miles on it since then.
The exception is French-polished mandolins. I have yet to come up with
something that won’t mark an instrument that, when the owner played it
without a Gard, left a perfect imprint of his shirt on the back of the
mandolin. In these instances, Gards should decrease the damage to the
back, compared to no protection at all, but there may be minor marks left by the Gard. Whatcha gonna do?
Is the Tone-Gard™ Hard to Install?
Not at all. Just lay the instrument on
its top, and bend the arms at the waist and tail of the Gard until the
arms hold it snugly in the center of the instrument. Ready to go!
Can the Tone-Gard™ Stay on All the Time, even in the Case?
Yes, in almost all cases, including Calton cases.
The Gard only adds about 3/8″ to 1/2″ to the overall depth of the
instrument. You should leave the Gard on all the time, for the reason
explained in the next paragraph.
Can One Tone-Gard™ be Used on Several Different Instruments?
I really do NOT
recommend it. I’m not trying to sell
more Gards; it’s a matter of metal fatigue. If you keep taking the Gard
on and off, over time the spring arms will fatigue and eventually break.
I do not warranty such use. There are Gards that have been in
service since 1986 with no problem, but they stayed on one instrument.
What Do Tone-Gards™ Cost?
Standard SunriseGards™, DecoGards™, and VintageGards™: $75 Custom Gards for mandolas, octave mandolins, mandocellos, etc.: $95 Standard dreadnought guitar D-Gards: $110 (less than previously!)Guitar sizes 00 and 000: coming soon
Banjards: coming soon
Custom Design Gards and Custom Gards for other guitar sizes (Maccaferi/Selmer, L-5, Jumbo,
00, 000, etc.), banjo, uke, cittern, tres, cuatro, bajo sexto, domra, balalaika, banduria, tamburitza, bouzouki, etc.: Please inquire, send me the design, and I'll give you an estimate
Shipping Cost: For USPS 2-3 Day Priority Mail, ADD $5 for mandolin Gards, or ADD $15 for guitar Gards, to the prices above. For special shipping needs or for international orders, please email me at INFO[at]TONE-GARD.COM
I accept personal checks, postal money orders, and PayPal (where you
can use a credit card, and you don't need a PayPal account). Otherwise NO credit
cards or CODs.
How do I order a Tone-Gard™?
Why isn’t your address here so I can mail an order right now?
don’t put my postal address out here because I want to have contact
with you beforehand. This way I can address any concerns you might have,
and also be aware that you want to order. I take pride in handling each
order as promptly as possible, and I can’t do this if someone just
fires off an order and I don’t know about it. This way I can keep track
of whom I’m making a Gard for, how long the order has been in the mail,
how long the Gard has been in the return mail, and whether the order or
the Gard are lost. I don’t do credit cards, sorry. After we have
exchanged emails, I feel like we have a virtual handshake. I’ll trust
your check, and you trust me to deliver a Gard. Trust, service, and
word-of-mouth recommendations have been always mainstays of the
Who Sells Standard Tone-Gards™ in U.S. & CANADA?
- The Acoustic Guitar (by appt. only, Calgary, AB)
- Big Joe's Guitarworks (307 Space Park, North Goodlettsville, TN)
- Buffalo Brothers (4901 El Camino Real, Carlsbad, CA)
- Cartwright's Music & Repair (429 N 3rd Ave Stayton, OR) 503-769-2778
- Crazy Mule Music (107 S Old Wire Rd., Washburn, MO)
- Dusty Strings Music Shop (3406 Fremont Ave. N., Seattle, WA)
- Elderly Instruments (1100 N. Washington, Lansing, MI)
- First Quality Music Supplies ( 7006 Trade Port Drive, Louisville, KY)
- Gene Rubin Audio (by appt. only, Ventura, CA)
- Greg Boyd Music (311 Knowles St., Missoula, MT)
- High Strung Music (1913 E. Seminole, Springfield, MO)
- Homestead Pickin’ Parlor (6625 Penn Ave So., Richfield, MN)
- House of Musical Traditions (7010 Westmoreland Ave., Takoma Park, MD)
- Janet Davis Music (13026 Highway 71 N., Bentonville, AR)
- Larsen Music (1833 Cook St., Victoria, BC)
- Mandolin Brothers Ltd. (629 Forest Ave., Staten Island, NY)
- The Mandolin Store (12213 West Bell Road #117, Surprise, AZ)
- Morgan Music (585 N. Jefferson Ave., Lebanon, MO)
- The Music Emporium (165 Massachusetts Ave., Lexington, MA)
- Myhre’s Music (8735 118th Ave. NW, Edmonton, AB)
- OldTime Music (4434 30th St., San Diego, CA)
- Pick ‘n’ Grin (106 Gore Road, Knoxville, TN)
- The Stringman (70 Millridge Ct., London, ON)
- Sylvan Music (1521 Mission St., Santa Cruz, CA)
- Tall Toad Music (43 Petaluma Blvd. N. Petaluma, CA)
What ELse Do I Like?
- Michael Lewis (Grass
Valley, CA) Want a beautiful mandolin, guitar or archtop guitar? Go see
this guy, in Grass Valley. Without a doubt, he makes some of the finest
instruments and inlay work around. Michael encouraged me to produce the
Gard for others, and was the only seller of them for years. He even
came up with the name “Tone-Gard.” What a guy!
- Mandolin Cafe (online)
is the central link in the mando world, for me anyway, always changing
and inspiring. My favorite spot for tab! You’ll find discussion of the
Tone-Gard there too.
- Freight & Salvage Coffeehouse (Berkeley,
CA) is a music venue operated by the Berkeley Society for the
Preservation of Traditional Music, a nonprofit arts organization
dedicated to promoting public awareness and understanding of traditional
music. Too bad I live several hours’ drive away.
- Players Vintage Instruments (Inverness, CA) sells new and used instruments. This guy’s got everything, and good prices besides.
- Rigel Mandolins (Cambridge,
VT) Looking for something different? Don’t want to be part of the herd?
These guys have come up with a mandolin that is truly original looking,
but without sacrificing tone and volume. I make a special Gard to fit